Tuesday, June 09, 2009

Bowie Faas Caricature (Photoshop)

bowie

Bowie Faas is from Holland, and is a huge fan of the Dutch version of ‘Joseph and his Amazing Technicolour Dreamcoat’. He commissioned me to do this piece of him and his girlfriend, with him wearing the coat, and I thought it might be fun to share some of the process with you.  The following is a quick run-though of the face and hair rendering.

bowie-001I wanted to replicate the colours I use when painting with acrylics, so I set up a palette with Cadmium Red, Yellow Ochre, Ultramarine, and Black. The white background is my white for mixing.

bowie-003I start a new layer on top of the sketch, then begin blocking  with a hard round brush with the hardness at 100%, the opacity set at 100%, and the flow set at 12-13%. Because the flow is reduced, I can merge the colours using the eyedropper tool.

bowie-006I tend to use Yellow and Black to make green, I find it gives a more earthy tone. Using the more obvious Blue and Yellow would be fine, but there are going to be a lot of warm (even hot!) colours in the coat, so I have to bear this in mind when choosing the background. Black and white are our cooling colours.

bowie-015 Detail of the eye. I’m now starting to use a different brush, a ‘spatter’ brush, which is preset #39 in the Photoshop brush menu. Opacity is best kept lower than 50% with this brush, otherwise it is easy to lose control.

bowie-016

Horizontally flipping the canvas gives me a better judgement in terms of aligning or correcting features. From the reference I was given, it seems that Bowie naturally tilts his head forward, so the features have to be aligned with this. There is minor adjustment needed on his left eye.

bowie-020I’m using the darker shade of green from his hair to render the eyebrows. To get a smooth fine line with a tapering end, with the #39 brush chosen in the preset menu, select shape dynamics, and make sure the size jitter is set to 0%, and the control to ‘pen pressure’. The opacity can be anywhere between 50 and 100% for this.

bowie-027The arrangement of windows on my workspace is important to help me see my progress. The window on the bottom right is a second window of the working file. To open this, go to Window>Arrange>New-Window-For. Having this second window allows me to see a wider view whilst working on a close up version in more detail.

bowie-034 As you can imagine, there was a lot of work involved in rendering the coat, and I could have taken it further given more time. As it is, Bowie and Dominique are very happy with it.

I like to use various approaches to digital and traditional painting, so it would be fun to share those with you too. For the time being, I hope you’ve enjoyed this miniature tutorial, and I look forward to sharing more work with you soon!

17 comments :

Lash LeRoux said...

Great piece, Paul, and phenomenal tutorial. Thank you for being so generous with your abilities. It's extremely helpful for someone like myself who is still stumbling around with digital painting. I can't thank you enough!

Sean (53AN) Gardner said...

Awesome piece, it's strange, he contacted me about doing something very similar a few weeks ago.

Mark Heng said...

Always great to see your process, Paul...And the great results! Quite a unique approach using just the primaries.

Dominique and Bowie said...

Hi Paul,

Wow love to see how you 'did us'! we showed it to our friends and the were going crazy, haha. Some of them said:'I want to do that also'. In the beginning we asked different caricaturists, to know what for us was the best. And when we found you Paul we thought it was the best if you made our caricature. Were very happy Paul and were busy looking for good frames! Were so happy! We keep following your Blog and all your pieces. Paul again thanks so much for everything!

Dominique and Bowie

tallwill said...

Thanks so much for sharing your process Paul. I've been wondering where that second window I've seen people using came from for a while now - thanks for spelling it out - no more zooming in and out to see how things look!

One question I hope you don't mind answering. You mention setting size jitter to 0% - where is the slider for this? I am only using photoshop CS - is this a feature of more recent upgrades?

Anyway - thanks again. Brilliant piece and sounds like you've got two very happy customers!

Vincenzo said...

Super piece Mate...this is why you, Jan and Jota are my favorite caricaturists!!!

Thanks for sharing process...really looking forward to the DVD!!!

Big Sam said...

You sir are awesome! love the work

Big Sam said...

I love her eyes! Love the work man!

Lar said...

What a great process. The way you used the tools for mixing colours is brilliant! So obvious I'm embarrassed it's never occurred to me. You are an amazing painter and caricaturist.

:)

Sean (53AN) Gardner said...

This is a really awesome tutorial, thanks for sharing.

Tel said...

Thanks for sharing your process Paul - love seeing it.

Two screens, you need two screens !!

Gord MacDonald said...

Thanks for sharing - its always great to get a "look behind the scenes"

Cliff Roth said...

Timely tutorial as I am just getting into doing more colored work.

Tenzin said...

Paul, Thanks so much for this tutorial. You have DVD coming? I cant wait for that now. Thanks once again.

Abz said...

Thanks for the comment/suggestion regarding the eye. you're right. I should adjust that... Seeing this post really inspires me. What are some of the brushes (default) you work with for digital paintings? How long does a face take you, and how do you have 2 windows of the same file open? lol

Thanks man, your work (and work place below) really inspire me! Great!

Abz said...

sweet

cartoonsenzo said...

Thanks for sharing! Great inspiration!